Summary View

Country

Turkey

City

Ankara

Institution

Ankara Milli Kütüphane

Collection

Milli Kütüphane Yazmalar Koleksiyonu

Shelfmark

A3772

Contents

Work 2: Aḥvāl-i Ḳıyāmet (Şeyyad Hamza, active 13th century)

LOC subject headings

Turkish language To 1500

Masnavis

Islamic ethics (Early works to 1800)

Islamic poetry, Turkish

Sufi poetry, Turkish

Sufism (Early works to 1800)

Faith (Islam) (Early works to 1800)

lccn:sh2008104957

IslamDoctrines (Early works to 1800)

Apocalyptic literature

Author

Şeyyad Hamza, active 13th century

شياد ﺣﻤﺰﻩ

Show other names

Şeyyād Ḥamza (d. after 749/1348-9)

Şeyyad Hamza, active 13th century (authorised)

Hamza, Şeyyad, active 13th century (variant)

Khamza, Sheĭĭad, active 13th century (variant)

Şeyyad Hamza, 13th cent (variant)

Şeyyat Hamza, active 13th century (variant)

Shayyad Hamza, active 13th century (variant)

Sheĭĭad Khamza, active 13th century (variant)

Biographical notes

14th century [1300-1399 CE] Sufi poet. Not much is known about Şeyyād Ḥamza’s life. A tombstone in Akşehir probably belonging to his daughter Aṣlı Ḫātūn gives the date of 749 AH [1348 CE], which is also the date of composition of Şeyyād Ḥamza’s elegy. Some of the phrases in the poet’s Vefāt-ı Ḥażret-i İbrāhīm indicate that he may have also lost a son. Şeyyād Ḥamza probably lived in the region of Akşehir. The title of “şeyyād” in his name refers to a storyteller or performer of poetry. Ḥamza’s poetry indicates that he knew Arabic and Persian. His Mevlevī affiliation is evidenced by his reference to Sulṭān Valad at the end of his Aḥvāl-i Ḳıyāmet. In his poetry Şeyyād Ḥamza treats religious and Sufi topics, with a particular focus on the concept of death. His poetry displays his love for the Prophet and his criticism of current political figures. The earliest known example to the folk poetry genre of māni, located in Lāmiʿī’s Leṭāʾif, occurs in the context of an anecdote of a sexual nature involving Şeyyād Ḥamza and his disciples. The same work also includes a second anecdote which takes place between Naṣreddīn Ḫoca and Şeyyād Ḥamza, who is portrayed as a Sufi pretending to frequenty undertake spiritual ascension.

Title

Aḥvāl-i Ḳıyāmet

ﺍﺣﻮﺍﻝ ﻗﻴﺎﻣﺖ

Notes

A mes̱nevī of 289 couplets on aspects of afterlife. The mes̱nevī has subsequently been revised by Şeyyād ʿĪsā, who also added 55 couplets.

Main language of text

Turkish

Foliation

68b-79b ff.

Columns

2

Bibliography

Editions

Durmaz, Esra. "Şeyyad Hamza’nın Ahval-ı Kıyamet’i." MA Thesis, İstanbul: Marmara University, 1994.

Şeyyad Hamza, . Yūsuf u Zelīhā (Destān- Yūsuf): Giriş-İnceleme-Metin-Dizinler. Edited by Yıldız, Osman. Ankara: Akçağ Yayınları, 2008.

Studies

Akar, Metin. "Şeyyad Hamza Hakkında Yeni Bilgiler." Türklük Araştırmaları Dergisi. , no. 2 1986: 1-22.

Burrill, Kathleen. "Sheyyād Ḥamza." Encyclopedia of Islam Second Edition. 9 1997: 419, 420-419, 420.

Leiser, Gary. "Shayyād." Encyclopedia of Islam Second Edition. 9 1997: 409-410.

Tavukçu, Orhan Kemal. "Şeyyad Hamza." TDVİA. 39 2010: 104-105.

Uzluk, Feridun Nafiz. "Şeyyad Sözü Hakkında Araştırma." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi. , no. VII/4 1949: 588-592.

Şeyyad Hamza, . Yusuf ve Zeliha. Edited by Dilçin, Dehri. Ankara: TDK, 1946. (Includes a facsimile)

Work 3: Miʿrācnāme (Şeyyad Hamza, active 13th century)

LOC subject headings

Turkish language To 1500

Masnavis

Islamic poetry, Turkish

Sufi poetry, Turkish

Sufism (Early works to 1800)

Muḥammad, Prophet, -632 (Biography)

Faith (Islam) (Early works to 1800)

lccn:sh2008104957

IslamDoctrines (Early works to 1800)

Author

Şeyyad Hamza, active 13th century

شياد ﺣﻤﺰﻩ

Show other names

Şeyyād Ḥamza (d. after 749/1348-9)

Şeyyad Hamza, active 13th century (authorised)

Hamza, Şeyyad, active 13th century (variant)

Khamza, Sheĭĭad, active 13th century (variant)

Şeyyad Hamza, 13th cent (variant)

Şeyyat Hamza, active 13th century (variant)

Shayyad Hamza, active 13th century (variant)

Sheĭĭad Khamza, active 13th century (variant)

Biographical notes

14th century [1300-1399 CE] Sufi poet. Not much is known about Şeyyād Ḥamza’s life. A tombstone in Akşehir probably belonging to his daughter Aṣlı Ḫātūn gives the date of 749 AH [1348 CE], which is also the date of composition of Şeyyād Ḥamza’s elegy. Some of the phrases in the poet’s Vefāt-ı Ḥażret-i İbrāhīm indicate that he may have also lost a son. Şeyyād Ḥamza probably lived in the region of Akşehir. The title of “şeyyād” in his name refers to a storyteller or performer of poetry. Ḥamza’s poetry indicates that he knew Arabic and Persian. His Mevlevī affiliation is evidenced by his reference to Sulṭān Valad at the end of his Aḥvāl-i Ḳıyāmet. In his poetry Şeyyād Ḥamza treats religious and Sufi topics, with a particular focus on the concept of death. His poetry displays his love for the Prophet and his criticism of current political figures. The earliest known example to the folk poetry genre of māni, located in Lāmiʿī’s Leṭāʾif, occurs in the context of an anecdote of a sexual nature involving Şeyyād Ḥamza and his disciples. The same work also includes a second anecdote which takes place between Naṣreddīn Ḫoca and Şeyyād Ḥamza, who is portrayed as a Sufi pretending to frequenty undertake spiritual ascension.

Title

Miʿrācnāme

ﻣﻌﺮﺍﺟﻨﺎﻣﻪ

Notes

A didactic mes̱nevī of 545 couplets on the Prophet’s ascension.

Main language of text

Turkish

Foliation

79b-100b ff.

Columns

2

Ruled lines

13

Bibliography

Editions

Feşel Güzelışık, Gülten. "Şeyyad Hamza Mi`rac-name." MA Thesis, İstanbul: Marmara University, 1996.

Studies

Burrill, Kathleen. "Sheyyād Ḥamza." Encyclopedia of Islam Second Edition. 9 1997: 419, 420-419, 420.

Leiser, Gary. "Shayyād." Encyclopedia of Islam Second Edition. 9 1997: 409-410.

Tavukçu, Orhan Kemal. "Şeyyad Hamza." TDVİA. 39 2010: 104-105.

Uzluk, Feridun Nafiz. "Şeyyad Sözü Hakkında Araştırma." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi. , no. VII/4 1949: 588-592.

Work 4: Vefāt-ı Ḥażret-i Muḥammed ʿAleyhi’s-selām (Şeyyad Hamza, active 13th century)

LOC subject headings

Turkish language To 1500

Masnavis

Islamic poetry, Turkish

Muḥammad, Prophet, -632 (Biography)

Author

Şeyyad Hamza, active 13th century

شياد ﺣﻤﺰﻩ

Show other names

Şeyyād Ḥamza (d. after 749/1348-9)

Şeyyad Hamza, active 13th century (authorised)

Hamza, Şeyyad, active 13th century (variant)

Khamza, Sheĭĭad, active 13th century (variant)

Şeyyad Hamza, 13th cent (variant)

Şeyyat Hamza, active 13th century (variant)

Shayyad Hamza, active 13th century (variant)

Sheĭĭad Khamza, active 13th century (variant)

Biographical notes

14th century [1300-1399 CE] Sufi poet. Not much is known about Şeyyād Ḥamza’s life. A tombstone in Akşehir probably belonging to his daughter Aṣlı Ḫātūn gives the date of 749 AH [1348 CE], which is also the date of composition of Şeyyād Ḥamza’s elegy. Some of the phrases in the poet’s Vefāt-ı Ḥażret-i İbrāhīm indicate that he may have also lost a son. Şeyyād Ḥamza probably lived in the region of Akşehir. The title of “şeyyād” in his name refers to a storyteller or performer of poetry. Ḥamza’s poetry indicates that he knew Arabic and Persian. His Mevlevī affiliation is evidenced by his reference to Sulṭān Valad at the end of his Aḥvāl-i Ḳıyāmet. In his poetry Şeyyād Ḥamza treats religious and Sufi topics, with a particular focus on the concept of death. His poetry displays his love for the Prophet and his criticism of current political figures. The earliest known example to the folk poetry genre of māni, located in Lāmiʿī’s Leṭāʾif, occurs in the context of an anecdote of a sexual nature involving Şeyyād Ḥamza and his disciples. The same work also includes a second anecdote which takes place between Naṣreddīn Ḫoca and Şeyyād Ḥamza, who is portrayed as a Sufi pretending to frequenty undertake spiritual ascension.

Title

Vefāt-ı Ḥażret-i Muḥammed ʿAleyhi’s-selām

ﻭﻓﺎﺕ ﺣﻀﺮﺕ ﷴ ﻋﻠﻴﻪﺍﻟﺴﻼﻡ

Notes

A mes̱nevī on the Prophet’s death consisting of 438 couplets, of which the first 356 couplets belong to Şeyyād Ḥamza and the remaining couplets belong to an unidentified copyist.

Main language of text

Turkish

Foliation

100b-121a ff.

Columns

2

Ruled lines

17

Bibliography

Editions

Güner, Fatma Turhal. "Vefat-ı Hazret-i Muhammed Aleyhi’s-selam." MA Thesis, İstanbul: Marmara University, 1996.

Studies

Burrill, Kathleen. "Sheyyād Ḥamza." Encyclopedia of Islam Second Edition. 9 1997: 419, 420-419, 420.

Leiser, Gary. "Shayyād." Encyclopedia of Islam Second Edition. 9 1997: 409-410.

Tavukçu, Orhan Kemal. "Şeyyad Hamza." TDVİA. 39 2010: 104-105.

Uzluk, Feridun Nafiz. "Şeyyad Sözü Hakkında Araştırma." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi. , no. VII/4 1949: 588-592.

Work 5: Poetry (Şeyyad Hamza, active 13th century)

LOC subject headings

Turkish language To 1500

Ghazals, Turkish

Islamic ethics (Early works to 1800)

Islamic poetry, Turkish

Sufi poetry, Turkish

Sufism (Early works to 1800)

Author

Şeyyad Hamza, active 13th century

شياد ﺣﻤﺰﻩ

Show other names

Şeyyād Ḥamza (d. after 749/1348-9)

Şeyyad Hamza, active 13th century (authorised)

Hamza, Şeyyad, active 13th century (variant)

Khamza, Sheĭĭad, active 13th century (variant)

Şeyyad Hamza, 13th cent (variant)

Şeyyat Hamza, active 13th century (variant)

Shayyad Hamza, active 13th century (variant)

Sheĭĭad Khamza, active 13th century (variant)

Biographical notes

14th century [1300-1399 CE] Sufi poet. Not much is known about Şeyyād Ḥamza’s life. A tombstone in Akşehir probably belonging to his daughter Aṣlı Ḫātūn gives the date of 749 AH [1348 CE], which is also the date of composition of Şeyyād Ḥamza’s elegy. Some of the phrases in the poet’s Vefāt-ı Ḥażret-i İbrāhīm indicate that he may have also lost a son. Şeyyād Ḥamza probably lived in the region of Akşehir. The title of “şeyyād” in his name refers to a storyteller or performer of poetry. Ḥamza’s poetry indicates that he knew Arabic and Persian. His Mevlevī affiliation is evidenced by his reference to Sulṭān Valad at the end of his Aḥvāl-i Ḳıyāmet. In his poetry Şeyyād Ḥamza treats religious and Sufi topics, with a particular focus on the concept of death. His poetry displays his love for the Prophet and his criticism of current political figures. The earliest known example to the folk poetry genre of māni, located in Lāmiʿī’s Leṭāʾif, occurs in the context of an anecdote of a sexual nature involving Şeyyād Ḥamza and his disciples. The same work also includes a second anecdote which takes place between Naṣreddīn Ḫoca and Şeyyād Ḥamza, who is portrayed as a Sufi pretending to frequenty undertake spiritual ascension.

Title

Poetry

Notes

Şeyyād Ḥamza has 16 known extant poems.

Main language of text

Turkish

Foliation

121a-125a ff.

Columns

2

Ruled lines

17

Bibliography

Editions

Adamović, Milan. "Ein Weiteres Gedicht von Şeyyād Ḥamza." Materialia Turcica. , no. 17 1996: 87-102. (Translation: “Şeyyad Hamza’nın Yeni Bir Şiiri.” Translated by Aziz Merhan. Dumlupınar Üniversitesi Sosyal Bilimler Dergisi 14 (2006): 157-171)

Akar, Metin. "Şeyyad Hamza Hakkında Yeni Bilgiler." Türklük Araştırmaları Dergisi. , no. 2 1986: 1-22.

Buluç, Sadettin. "Şeyyâd Hamza’nın Beş Manzumesi." Türk Dili ve Edebiyatı Dergisi. , no. 7/1-2 1956: 1-16.

Buluç, Sadettin. "Şeyyâd Hamza’nın Lirik Bir Şiiri." Türk Dili ve Edebiyatı Dergisi. , no. XII/1-2 1962: 139-142.

Köprülü, M. Fuad. "Anatolische Dichter in der Seldschukenzeit, I. Sejjāt Hamza." Kőrösi-Csoma Archivum. , no. I/3 1922: 183-189. (Translation: Köprülü, M. Fuad. “Selçûkîler Devrinde Anadolu Şâirleri 1. Şeyyad Hamza,” Türk Yurdu I (1340/1924): 27-33)

Mansuroğlu, Mecdut. "Eski Anadolu Türkçesine Ait Bazı Metinler." İstanbul Mecmuası. , no. 39 1945.

Mansuroğlu, Mecdut. "Anadolu Türkçesi (XIII. asır). Şeyyad Hamza’ya Ait Üç Manzume." Türk Dili ve Edebiyatı Dergisi. , no. I 1946: 180-195.

Drei Gedichte Şayyād Ḥamza’stextmagazineArticleMansuroğluMecdutautperiodicalXXVI78791954continuingUral-altaische JahrbücherMansuroglu_Hamza_1954

Mansuroğlu, Mecdut. "Şeyyad Hamza’nın Doğu Türkçesine Yaklaşan Manzumesi." TDAY-Belleten. 1956: 125-144.

Mansuroğlu, Mecdut. "Şeyyad Hamza’nın Beş Manzumesi." Oriens. 1, no. 10 1957: 48-70.

Mansuroğlu, Mecdut. "Şeyyad Hamza’nın Üç Manzumesinin Tıpkı Basımı." Türk Dili ve Edebiyatı Dergisi. , no. VII 1956: 108-114.

Onan, Necmeddin Halil. "Şeyyat Hamza’nın İki Yeni Gazeli Dolayısiyle." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi. , no. 7 1949: 529-534.

Tavukçu, Orhan Kemal. "Şeyyâd Hamza’nın Bilinmeyen Bir Şiiri Münasebetiyle." The International Journal of Central Asian Studies. 1, no. 10 2005: 181-195.

Studies

Burrill, Kathleen. "Sheyyād Ḥamza." Encyclopedia of Islam Second Edition. 9 1997: 419, 420-419, 420.

Köprülü, M. Fuad. "Türk Edebiyatı Tarihi." İstanbul: Ötüken, 1980, 262-263.

Leiser, Gary. "Shayyād." Encyclopedia of Islam Second Edition. 9 1997: 409-410.

Tavukçu, Orhan Kemal. "Berlin Kraliyet Kütüphanesi’ndeki Yazma Bir Mecmuaya Dâir." Yedi İklim. , no. 48 1994: 68-69.

Tavukçu, Orhan Kemal. "Şeyyad Hamza." TDVİA. 39 2010: 104-105.

Uzluk, Feridun Nafiz. "Şeyyad Sözü Hakkında Araştırma." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi. , no. VII/4 1949: 588-592.

Çıpan, Mustafa. "Şeyyâd Hamza'nın hayatı, edebî şahsiyeti, kasidesinin incelenmesi ve on ikinci beytinin şerhi." Yeni İpek Yolu Konya Ticaret Odası Dergisi. , no. Konya Özel Sayısı 1 1998: 351-60.

Physical Description

Number of folios

125 ff.

History

Date of copy

20th. century